Tag Archives: Playstation 2

#82: Burnout 3: Takedown

Format: Playstation 2 Genre:Racing Released: 2004 Developer: Criterion Games

Now we’re getting near to the end of our list of 101 games, a few people have been asking me whether I’m running out of games to talk about. Far from it – in fact the tricky part is trying to work out which games to leave out. Between us we’ve got a list of about 45 ‘possibles’ for inclusion, so over half of them won’t make it past the audition.

From the very beginning though, Burnout 3 was a definite for the list. In fact, I even mentioned it on the first ever post as one of the ‘two or three [racing games] that I’ve really enjoyed” and that “rank up there as some of my favourite game experiences”. Nothing has changed in the two and a half years since I wrote that post: Burnout 3 is still one of my favourite racing games of all time. (Blimey, two and a half years, have we really been writing this blog for that long? It was only meant to take a year!)

As the subtitle suggests, the key gameplay element of Burnout 3 is ‘takedowns’ – ramming other cars off the road to earn ‘boost’. Whereas the first two games in the series put more emphasis on other ways of earning boost, like powersliding and driving on the wrong side of the road, Burnout 3 focused firmly on the takedown mechanic, and was a helluva lot more fun as a result.

In Burnout 1, filling your boost meter was an arduous task, but Burnout 3 was happy to throw boost at you like the US government throwing money at an ailing investment bank. This meant that every race whipped by at blinding speed as a sucession of nail-biting bumper-to-windscreen encounters with rival cars – and in the brilliant ‘Road Rage’ game mode, the game abandoned all pretence of racing entirely, instead encouraging you to take out as many opponents as possible within the time limit.

However, it’s the inspired inclusion of ‘aftertouch’ that really makes this game. Whenever your car gets ‘taken out’, the pounding soundtrack is replaced by an insistent heartbeat and the game switches to slow motion as your car pirouettes through the air. But, brilliantly, you still have the power to move your car – ever so slightly – while it’s spinning across the road, giving you the ability to gently nudge the wrecked chassis directly into path of your oncoming rivals, or even in front of the git who took you out in the first place.

Aftertouch came into its own in the utterly fantastic Crash Mode, where the aim was to cause as big a pile-up as possible. Playing Crash Mode with a bunch of mates was good for hours of entertainment – and interestingly, it’s one of the few multiplayer games I can think of (certainly in the pre-Wii era) where my female friends enjoyed playing just as much as the guys did.

Who’d have thought the gender divide could be bridged by multi-lane car crashes?

Lewis

(Screenshots from www.gamefaqs.com)

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Filed under 2004, Criterion Games, Playstation 2, Racing

The Games Clearout

I’m a terrible sucker for a bargain. I can’t resist snooping round charity shops on the off chance of finding a rare book or CD that I’ve always wanted, or scouring eBay in the hope of coming across some fantastic old game at a rock bottom price. The only trouble is, when it comes to games, I end up buying them quicker than I can finish them. My shelves are groaning under the weight of games I’ve snapped up for a pittance but have never got round to playing, and it’s got to the point where I can’t justify buying anything new until I’ve got rid of some of the ‘bargains’ that are gathering dust in the corner of the room.

So here we go, it’s time for a clearout. It’s raining outside and I’ve got the day off work, so the conditions are perfect for playing through some classic games and deciding which ones are destined for the local charity shop.

Metal Arms: Glitch in the System (Xbox, 2003)

8.40am – I bought this game about two years ago in a secondhand shop in Camden. I’d recently read an Edge magazine Time Extend feature on Metal Arms, so I picked it up with high expectations of the “randomness, lunacy, sadism, idiocy and comedy” promised by the review. Sadly though, the first one or two hours played like an extended tutorial, and the game ended up back on the shelf not long after I’d started playing it.

Coming back to it after all this time and picking up where I left off, it’s interesting that the very point I abandoned the game last time is the very point where the “chaos” promised by the review begins to emerge. The environments start to get a bit more interesting, the enemies get a bit more challenging and the weapons suddenly become more plentiful… but after an hour of playing the game still hasn’t grabbed me. There’s just something about it that’s not quite right – perhaps it’s the awkward, clunky controls or the frustrating level restarts. Whatever it is, Metal Arms becomes the first game to go into the charity shop bag.

Red Dead Revolver (Xbox, 2004)

9.32am – Next up is Red Dead Revolver, which I picked up for an absolute pittance (£1.50 I think) on eBay last year. I’d been reading about the upcoming Red Dead Redemption for Xbox 360, so I thought I’d give myself a taster of what’s to come by playing the prequel. The only thing is, as I found out later, Revolver is absolutely nothing like the critically lauded open-gameworld of Redemption. Whereas Redemption is a pure Rockstar game in the vein of Grand Theft Auto, Revolver is a weird hybrid that’s the result of the game being started by Capcom and finished by Rockstar San Diego.  The end product is a game with an identity crisis – it doesn’t seem to know whether it wants to be an all-out third-person shooter or an RPG, and when playing I felt oddly disconnected with the character. I’d previously played through the first couple of hours of the game, and another 20 minute session today confirmed what I’d suspected – this is another one for the charity shop bag.

Jade Empire (Xbox, 2005)

10.02am – The reason I haven’t yet played Jade Empire (which I bought over 2 years ago in a charity shop) is the same reason I still haven’t read the 1,500-page novel A Suitable Boy by Vikram Seth, which has been sitting on my bookshelf for longer than I can remember. I know that once I get into them, I’ll enjoy them both immensely, but the thought of starting something so long and complicated is enough to put me off beginning at all. Sure enough, I’m sucked into Jade Empire immediately, and it’s immediately apparent that it shares plenty of characteristics with Star Wars: Knights of the Old Republic, another BioWare game that I absolutely loved. It’s decided then: Jade Empire is a keeper, but I’m going to have to turn it off right now otherwise I’ll be playing it all day…

Return to Castle Wolfenstein: Operation Resurrection (PS2, 2003)

10.47am – My God, it’s amazing how much first-person shooters have moved on over the years. I didn’t realise just how many changes have overtaken the genre until I started playing Return to Castle Wolfenstein this morning: as soon as I spotted my first Nazi my initial instinct was to tap the X button to go into cover… but of course this game came out three years before Gears of War made a cover system standard fare for any FPS worth its salt. The result is that I’m standing toe to toe with a German soldier, tapping the fire button repeatedly until one of us falls down in a situation reminiscent of a Monty Python sketch. In fact, the game feels more like a cartoon than anything else (and not in a good way like XIII). Add in the utterly pathetic sound effects and you’ve got a game that’s destined for the charity shop pile a mere 25 minutes after it’s been turned on. Next!

Viewtiful Joe 2 (PS2, 2005)

11.23am – I bought this game last year at the same time as Return to Castle Wolfenstein – they were both part of a ‘4 games for £10’ promotion – but what a difference there is between the two. Whereas Wolfenstein felt positively archaic, Viewtiful Joe 2 feels fresh and modern, despite the fact that it’s five years old. I loved the original Viewtiful Joe, but I was worried that the sequel would just be a rehash of the previous game and, even worse, that the side-on beat ’em up format might seem a bit old hat in the brave new world of 2010. I shouldn’t have worried – the game is bursting with imagination and charm and I don’t want to put it down, but I still have a pile of games to get through and half the day’s gone already. Needless to say though, Viewtiful Joe 2 is a keeper.

Psi-Ops: The Mindgate Conspiracy (PS2, 2004)

12.38pm – Like Metal Arms, I bought this game after reading a Time Extend feature about it in Edge (although annoyingly I can’t seem to find the feature online). Seeing as it was released just a year after Return to Castle Wolfenstein, I thought it might seem similarly dated, but it’s actually aged rather well. The graphics are pretty good, the controls work well (it even has a rudimentary cover system) and the mind powers add an interesting twist to the gameplay. The sci-fi nonsense plot is a little hokey, but it’s quite interesting and it romps along at a fair old pace. Not bad for a game that cost £2.50! Looks like we’ve got another keeper…

Yakuza (PS2, 2006)

2.39pm – After a break for lunch it’s back to the gaming coalface with Yakuza. I bought this game last year after hearing good things about the sequel, and I was impressed on my first go – until I had to save the game. One of my pet hates is games that will only let you save your progress at certain ridiculously far apart save points, and Yakuza is a prime offender in this category. It’s all very well having restrictive save points if you’re a teenager with hours of leisure time at your disposal, but having to sit through lengthy cut scenes and wander round various backstreets for 20 minutes before you can save your game quickly begins to grate if you’ve got limited time. And especially if your girlfriend is waiting by the door, tapping her foot and making remarks like, “We should have been at the restaurant half an hour ago, what on earth are you doing?”

Of all the games I’ve played today, Yakuza is perhaps the most instantly engrossing. It shares many similarities with Shenmue (one of my favourite Dreamcast games) and the attention to detail is brilliant. The Tokyo side streets look amazingly authentic – I used to live in Japan, and just wandering around the gameworld started making me feel nostalgic for the place, especially when I found out you can wander into a conbini and buy random Japanese drinks like Dekavita C and Natchan Orange. It’s just a shame about that damn stupid save system… If it had an autosave feature this game would be a definite keeper, but there was a point today where I was playing for 40 minutes with no opportunity to save, which is frankly ridiculous. I ended up playing Yakuza for far longer than I meant to, partly because of the save system and partly because I was really enjoying it, but sadly it’s one of those games that I doubt I’ll ever have the time or the patience to finish. It’s a shame, but this one’s for the charity shop.

Half-Life (PS2, 2001)

5.09pm – I missed Half-Life the first time around, but I bought the PS2 version after I finished playing through Half-Life 2 on the Xbox and wanted to know what happened in the first game. I got about three-quarters of the way through (to the Lambda Core level) before it became too frustrating and I gave up. Loading it up again now, I’m struck by just how primitive it looks – but then again, it did come out about ten years ago. Having said that, you can see how it completely revolutionized the first-person shooter genre, and the game excels in providing a sense of place and purpose rather than just a succession of bigger and badder enemies to gun down. The weapons are ingenious too, and ab0ut ten minutes into Lambda Core I come across the Gluon Gun, which introduces me to the joys of vaporising aliens in a maelstrom of blue light. Lovely.

Unfortunately, the frustrations I felt when first playing the game quickly resurface, and the game becomes a constant grind of creeping forward, saving, dying horribly, restarting, creeping forward, saving, dying again… you get the picture. It gets to the point where I really just can’t face crawling through the remaining five levels at this glacial pace, and I decide enough is enough. Half-Life, you may be brilliant, but it’s the charity shop for you.

And so I come to the end of a productive, sometimes frustrating, but mostly fun day. The charity shop bag is full, I’ve enjoyed the all-too-rare delight of having a day to myself to do nothing but play games, and there’s a satisfying gap on my games shelf… which leads to the question: what can I buy next?

Lewis

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Podcast 12: Best Ever Console Round 1

It begins. The already legendary 101 Video Games Best Ever Console Contest! Or Competition! Or Thing! To be honest we’ve not properly agreed on a title.

Anyway, listen as Lewis and Ian discuss, debate, argue, call each other names and play rock paper scissors stone through 12 rounds of red-hot console on console action. And if you think that sounds dirty and disgusting you should have been at the recording.

 

Lewis and Ian's debate over whether the Amstrad 6128k is better than the PS2 becomes heated.

 

Click below to listen directly through this site:

Or download and listen on your MP3 player of choice:

Podcast 12 Best Ever Console Round 1

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WARNING – We do swear a bit in this podcast. The debates we had became very passionate and strident and we sadly couldn’t stop our language occasionally reflecting that. Plus we drunk quite a bit of beer and got a bit silly. Sorry.

We want to hear your thoughts (please let us know you listen and you like us, pleeeeease). Do you violently disagree with any of our judgements? If so, really? Violently? Just calm down, it’s only video games. But do tell us, we’d love to hear from you! As always the best comment wins a 101 Video Games pencil.*

* N.B. Still no pencils available.

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#71: Prince of Persia: The Sands of Time

Format: Playstation 2 Genre: Platform/Adventure Released: 2003 Developer: Ubisoft

Prince of Persia: The Sands of Time has been on my list of  ‘games to do’ since we started this blog, but seeing as the Prince of Persia film is coming out this week, now seems like a good time to cover it. By the way, doesn’t that film look absolutely terrible from the trailers? I don’t want to judge it before I see it, but I’d raise a quizzical eyebrow if it turned out to be a cinematic classic. Call me a cynic, but I’ve a feeling it will follow in the manured footsteps of  the many, many other video-game-to-film disasters – and seeing the dread name ‘Jerry Bruckheimer’ on the credits seals the deal.

I should mention at this point that I absolutely hated the original 1989 Prince of Persia game, despite its fancy rotoscoped animation – it was without doubt one of the most unerringly difficult and unendingly frustrating games I’ve ever played. I couldn’t see the point in creating such amazingly fluid animation when most of the gameplay involved creeping along at a snail’s pace while scanning the screen for barely visible traps. Then dying in said traps and starting all over again. And again. And again.

Thankfully Ubisoft picked up on this when they developed Sands of Time – not only was the game much more fluid, the addition of an ability to rewind time meant that frustrating level restarts (almost) became a thing of the past.

The rewind ability was a fantastic touch – it’s a shame it hasn’t been used more often. Who wants to click through various ‘Game Over’ screens when they die in a game? Surely it makes much more sense just to rewind back to the point at which you know you made a mistake and carry on playing. And another bonus of the rewind system is that it encourages you to experiment a little more – there’s nothing more frustrating than attempting a jump that you reckon you’ll just about make, then plummeting to your death because you were a few pixels short of a ledge (Tomb Raider, I’m looking at you). But in Sands of Time you’re free to experiment with impunity, and the game’s all the more fun because of it.

However, Sands of Time‘s biggest draw was its fluidity – Lara Croft suddenly looked like a creaky octogenarian when the acrobatic Prince arrived on the scene. The ‘wall run’ move – running along a vertical wall to clear a chasm – is one of the most satisfying inventions in videogame history, and not only does it look impressive, it’s incredibly easy to perform. The same is true of most of the game’s moves – from running up the body of an opponent and deftly flipping over his head to scampering up ledges like a monkey on uppers – and the excellent controls give you a sense of empowerment and connection with the main character that’s sadly lacking in most games.

It’s a shame the ‘Mystical Arabia’ look was all but abandoned for the subsequent two installments, which adopted a dark aesthetic that tarnished the feel somewhat, but I liked the cel-shaded 2008 reboot, even if it didn’t quite match up to Sands of Time. But regardless of the quality of the sequels, it’s interesting to see how the controls and animation of Sands of Time went on to be so influential (the wall run has since turned up in games from Assassin’s Creed to Mirror’s Edge – click here for a complete list). I wonder whether the film will prove to be so successful…

Lewis

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Filed under 2003, Adventure, Platform, Playstation 2, Ubisoft